Archive for the ‘Events’ Category

Playing together in the dark

Monday, October 24th, 2016
  lieder-alice-1010149vs lieder-bosch-ben_500 lieder-heights_18041518 lieder-29s091421   Collaboration is a tricky, alchemical thing: when it works, it works immediately, effortlessly, gleefully, thoughtfully. When it doesn't  . . .  It really doesn't. Working on NIGHT SCHOOL with Rena Hopkins, Ben Willis, Rachael Ahn Harbert, and Marianne Brass - this collaboration works, the mind enacted in the physical world, eyes ears muscles brain, making the real even more real. It's a lab, it's a poem, it's a playground. And we learn from one another, so for us it's night school, too. [Photos courtesy Rick Lieder: Rena Hopkins/ALI<E, Ben Willis/Garden of Earthly Delights, Rachael Ahn Harbert/the Heights, Marianne Brass/ALI<E. ]

Work hard, play hard, repeat

Friday, October 14th, 2016
This month I'm working and playing especially hard. cranbrook-kingswood-visit-kk-1016 - talking literature - what it's for, how it changes us - with the bright and engaging students  at Cranbrook Kingswood . . . - joining in the amazing yearly #TheLiteraryOthers LGBT reading event at Roof Beam Reader, with a post that looks at how we act when we act out our truest selves . . . talk_pb - popping up in the Indie Spotlight at TNBBC's The Next Best Book Blog to talk about CHRISTOPHER WILD  . . . christopher-wild_500 - going into rehearsals for NIGHT SCHOOL, my newest nerve production, based on Marlowe's immortal DOCTOR FAUSTUS and inspired by the "Night School" section of, yes, CHRISTOPHER WILD . . . shadow-selves - and heading to St. Paul MN to be guest of honor and present a solo performance piece, "The Art of Darkness," at Arcana 46. And every day I'm at my desk, working hard and having wild fun with CHRISTOPHER WILD. Whee, what a month! kathe_2909165_800  

Night School

Monday, August 29th, 2016
Give me whatsoever I shall ask. Tell me whatsoever I demand.   Going ever deeper into CHRISTOPHER WILD - the novel is two-thirds complete, now - I'm also writing a companion piece: harsh light and darkness, music and movement, hell and heaven and everywhere in between, a one-night-only performance of Marlowe's words and mine. January 2017, time for NIGHT SCHOOL.   14081411_10210611261783489_705737399_n  

Bosch & nerve

Monday, July 25th, 2016
Mary Perrin owl mask The patrons have a beautiful, sprawling garden, with flowers and ponds and two blue-metal follies. Lieder-Bosch-Ben_500 To bring Bosch to that garden, we needed music. Bosch reh MP KK RH R Hop We needed masks, and eggs, and fruit. Mary fish mask Bosch Bosch dress fish 1 MPep And a fish. Bosch dress owl fish MPep God on the folly RHop Murder ears Bosch RHop And we already had nerve.   [Photos courtesy Rena Hopkins (1-3-7-8), Rick Lieder (2), Mary Perrin (4-5-6).]

Some days are all about the balls

Sunday, June 26th, 2016
The giant human hamster ball was not subdued without a fight. An outtake from the GARDEN's creation, thanks to the Divine Iguana and her assistant, Henri.

Directing the flow

Tuesday, June 7th, 2016
In the flow, things move at their own pace - sometimes with speed, sometimes not, sometimes seemingly not at all - because that's how things get done and get made. Not by force, though sometimes with struggle - flow doesn't mean things always go smoothly; rivers have rapids, seas have swells, even storms. Even hurricanes. But if you trust it, if you align your own actions and attune your own creative compass, flow will always get you there: like a mermaid in the tide, like turning pages in a book, like the mind's current that takes an idea from imagination to here-and-now reality, if you just, yeah, go with that flow. As a writer and director, I trust that flow in everything I do, because it's never absent and it's always right. Bosch making-of D Cheklich Harbert Brass BOSCH reh K Koja M Perrin BOSCH reh [Video at link courtesy Diane Cheklich, from her "Garden of Earthly Delights" making-of video. Photos courtesy Diane Cheklich, Kathe Koja; Rena Hopkins, Rachael Harbert and Marianne Brass onsite; Rena Hopkins, Mary Perrin and Kathe Koja onsite.]